Exploring Genres

I have been looking forward to this day with my freshmen for a week now: today is when we started our final unit in Introduction to Genres. In the past, I have ended the year with a free choice reading where I suggested they read genres they enjoyed over the year, but inevitably 90% of them chose the familiar novel. This year, I shifted my guidelines to try to encourage exploration of a less-familiar genre they discovered this year. So, we began with brainstorming:

Which genre have you enjoyed reading the most this year?
A. Rank them from 1 (most enjoyed) to 5 (enjoyed but not as much!):

• Short Stories ("The Most Dangerous Game," "To Hell with Dying," "Bluestown," "Death by Landscape," "Singing My Sister Down," "Rules of the Game," "An Occurence at Owl Creek Bridge")
  
• Drama ("Trifles," The Importance of Being Earnest, Antigone)
  
• Poetry (see our poems here)
  
• Nonfiction/Autobiographies ("On Being a Cripple," Night)
  
• Novels (Frankenstein)

B. For your #1 choice, how often have you read something in this genre entirely of your own choice?

C. For your #2 choice, how often have you read something in this genre entirely of your own choice?

D. Final question: Of these two, which genre have you learned you enjoy but choose to read the least?

Then, I asked them to consider reading in this genre that they found they enjoyed but really had never chosen to read on their own. And this is why I love my students: they went along with my suggestion. Out of my ten students (I had only one of my classes today), only 1 chose novel, and he chose it because he rarely reads them. I teased him that I would make him read Twilight so he could really get caught up on the novel genre! Of the other students, 2 chose short stories, 3 chose poetry, and 4 chose nonfiction.

I am using a modified literature circle for this unit where they will meet in genre-similar groups to compare what they are reading (since they will be reading different representations of the genre) and tease out a deeper understanding of their chosen genres. My final goal for them is to understand not only their genre but to understand why that genre appeals to them -- what style techniques and topics are common.

I always want to give my students choice in their reading, but I also really want to push them into new territory so they grow as readers and thinkers an discover new loves. I do not always strike a great balance between these sometimes conflicting pressures, but I think I have struck a homerun with this one.

Literature Circles

I have used literature circles for many years. My students always enjoy them, and I get better each time with setting up the process so they truly engage with their books. I particularly enjoy doing this with my ninth graders when I have them write their own tests as a group. I was given the opportunity in college to write a final for a class rather than take one. I was petitioning to take my final early, and the professor offered me this instead. As I wrote that final, I realized how smart the professor was about assessments. I had to really know my stuff in order to create a final I thought he would deem worthy -- the writing of the test probably took me longer than the hours I would have been in the exam room taking his final. It was a powerful lesson for me, and my ninth graders have benefited from it. They are always amazed when I tell them they will write their own tests. The discussions the groups end up having as they decide which questions to ask are always the best of the whole lit circle process. I know they know their stuff when I see strong tests.

This summer I had another chance to really learn something by doing it. A colleague of mine set up an online literature circle in our school's ning to work through the first five chapters of Understanding by Design, our assigned faculty summer reading. I was glad to have a structure set for me because I knew that meant I would get the reading done, so I signed on. Well, if you have any doubts about the efficacy and power of the literature circle process, banish them now. As I worked through a lit circle role for each chapter, I saw the beauty of the lit circle pedagogy in action. It is reading strategies come alive -- when I read a chapter knowing I was, say, the connector, I read specifically for that goal. I ended up remembering far more with this focus than I ever do just reading something to read. I had a scaffolding to pin my reading on and to give me a road map through what is some dense reading a times (trust me on this one if you have not read UbD). I also knew I did not have to worry about every detail because I had my lit circle partners focusing on the other aspects. I knew I would learn from them, so I could learn at this first stage better because I was more focused. Then the discussions we had helped me pull everything together -- I looked back at the book, I remembered things I had forgotten, I learned things I had never thought about ...

While I knew in my mind that literature circles were a good thing, to participate in one gave me so much more insight into why they work so well. Once again, I am reminded that DOING something is the most powerful way to learn. A great reminder particularly as I begin a new year with my students ... can I get them to DO more in their learning?

Seminars Without Me

I have always had my AP Lit students tackle our final novel, Things Fall Apart, in seminar groups. My purpose is to show them as well as I can that they are truly ready to do this kind of thing on their own -- that they can read and read well and that they have great ideas and can create interpretations without a "teacher answer key." They do lit circles, independent readings, and class presentations of new works throughout high school, so this is the last of many times they have been handed the reins -- and I hope to make it a great final one to remember.

Some years though have gone better than others. It is a hard time to get seniors to put in 100%, and some students just have chosen to not engage. So each year, I tweak and revise the unit based on the feedback I gathered from my prior class and my own observations. This year, my goal is to include this kind of reflection DURING the two weeks of their seminar meetings. This ties to my goal below of working in more time for reflection -- and I'd like to see how regular reflection of their own habits affect my students' work and engagement.

I plan to begin with a suggestion by Carol Jago in With Rigor for All: letting them know I will be silently observing each group, noting things to share at the end of class but that I won't talk until then. I will use these final class comments to reinforce positive behaviors I saw in the groups -- encouraging quieter members to talk, supporting an idea with a great textual reference, etc. But in the middle, I will flip it. Rather than ending with my reflection, I will have them email me how they feel they themselves did in that seminar. I hope my final reflections will help them see how to then reflect on themselves thoroughly.

In the end, if my seniors leave me as even slightier adept at self-reflection, then my class will have served their lives well.